The KAZZ-FM staff
When Rim Kelley (Bill Josey Jr.) joined its DJ
staff in October 1964, KAZZ-FM's weekday programming blocks featured
Spanish, easy listening, light classical, showtunes, folk, country,
and jazz. With Rim's addition, a new rock block was added on
weekday afternoons and Saturday mornings. During this period,
Gib Divine was station manager, Sam Hallman served as program
director, Bill Josey Sr. was sales manager, and Norman Bodden
was the station's chief engineer. Elward "Ruff" Ruffin
not only carried a large part of the broadcast day on the air
spinning easy listening and pop albums, but also served as the
station's traffic manager, preparing the daily program logs and
scheduling commercials. Most of the weekday DJs also
pulled at least one weekend shift, and KAZZ's regular weekend-only
DJ was Gene Chapline.
| KAZZ-FM's
weekday programming fall '64-winter '65 |
|
| Time |
DJ |
Program/genre |
|
| 6 am |
Juan Urda |
Mananitas Desde La Capital! (Spanish) |
|
| 8:30 am |
Syndicated |
Grand
Ole Opry (country western program) |
|
| 9:30 am |
Ruff Ruffin |
Easy listening, pop standards & light
classical |
|
| 1 pm |
Sam Hallman |
Easy listening & pop standards |
|
| 3 pm |
Sam Hallman |
Showtime (movie soundtracks and Broadway
original cast albums) |
|
| 4 pm |
Rim Kelley |
Rock |
|
| 6 pm |
Sam Hallman |
Easy listening & pop standards |
|
| 9 pm |
Bob Lockhart |
Folkways |
|
| 10:30 pm |
Bob Lockhart |
Country western |
|
| 11:30 pm |
John Jay |
Jazz |
|
The station's broadcast day began at 6 am and ended at 1 am.
Although in 1961 the FCC had authorized FM stations to broadcast
in stereo, KAZZ's owners decided not to invest
in the necessary stereo equipment, which would have included a
two-channel control board and new transmitter. So, KAZZ remained
monaural, despite being outfitted with stereo turntables and two-track
tape recorders.
KAZZ subscribed to the Associated Pess newswire and presented
a 5 minute newscast at the top of each hour and headlines
at the half-hour. The AP teletype machine was in the station's
transmitter room, down the hall and half a flight of steps downstairs
from the studio itself, so twice each hour the DJs would make
a mad dash out of the control room, down the hall, down the stairs,
into the locked transmitter room, and back, trailing 5 to 6 feet
of teletype paper behind, all while a long song played. Heaven
forbid they forget the transmitter room and control
room keys! Adding to the DJs' challenge, the men's restroom was
half a flight of stairs up.
| |
Rim Kelley on the air
|
Like all radio stations, KAZZ underwent many personnel changes.
During early 1965, Bill Josey Sr. replaced
Gib Divine as station manager, Mike Hull briefly joined John
Jay on the late night shift, Don Craig joined as a weekend DJ,
and David Lopez (who had been managing editor of the Daily
Texan campus
newspaper while a student at the University of Texas) replaced
Juan Urda on Mananitas
Desde La Capital!. Notably, in February 1965, KAZZ adopted
a 24 hour format, playing rock from 1 a.m. to 6 a.m. Gary Paul
Davis (who initially used the name "Gary
Davis" and
later shifted to "Paul Davis") took the
all-night slot until Stan Parks joined the DJ roster in fall
'65 with a rhythm and blues show at 1 a.m. weeknights and midnight
Saturdays. Mid-'65, after graduating high school, Bill Jr.'s
friend Gary Thomas, an avid ham radio operator, took
over chores as the station's chief engineer. In October '65,
Kirk Wilson replaced Bob Lockhart on the Folkways block. In April
'66, Richard Grammon joined the staff, taking the rock block
at 2 a.m. weeknights and bringing the program a more eclectic
and erudite playlist culled from rock album "inside
tracks", foreshadowing the progressive rock
movement in American FM radio that peaked a decade later. But
there were still more changes afoot...
Next: staff changes and remote broadcasts
|