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Austin, Texas

Records with Sonobeat in 1967
One commercial 45 RPM release on Sonobeat Records (1967)
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PR photo of The Club Seville's manager and house vocalist Don Dean (circa 1966)
Don Hutcheson Commercial Photography, Abilene, Texas
Colorized from original B&W
In January 1966, Wilbur Clark's Crest Hotel on Town Lake is Austin's newest hotel; The Club Seville, managed by Don Dean, occupies the second floor with a spectacular view of Town Lake
The "A" side of Don's 1967 Sonobeat stereo 45 RPM single

From December 1965 to June 1968, dapper Don Dean manages The Club Seville, a members-only dinner and dance club at Wilbur Clark's Crest Motor InnWhen it opens in January 1966, the hotel is known as Wilbur Clark's Crest Hotel. Over the years, through ownership changes, it becomes the Crest Motor Inn, the Crest Sheraton, the Radisson, and, now, The LINE Austin. on Austin's Town LakeIn 2007, Town Lake is renamed Lady Bird Lake to honor First Lady of the United States Lady Bird Johnson.. Don is what you might call the "founding manager" of The Club Seville, relocating to Austin only weeks before the club's grand opening in early January 1966, having previously served in a similar capacity at Wilbur Clark's Crest Hotel in Phoenix, Arizona. Years before, Don apprentices at the world famous Cocoanut Grove night club at The Ambassador Hotel in Los Angeles. And even before his stint at the Coconut Grove, the Los Angeles native serves six years overseas in the Navy's Special Services unit, producing talent shows for the troops that feature A-level talent of the era, including Harry Belafonte, Eddie Fisher, and Judy Garland. Returning to Los Angeles following active duty, Don performs with the Freddy Martin Band and is the original emcee of the annual Miss Universe Pageant – originated in 1952 by Catalina Swimwear and Universal Studios – held in Long Beach, California. So, through this experience, Don gains a sophisticated eye and ear for talented entertainers.

When Don arrives in Austin, he brings The Club Seville a mix of local pop and jazz acts, including The Kings IV (headed by Michael Stevens, who'll later serve as The Club Seville's house band under the name The Michael Stevens IV) and Geneva and Her Gentlemen, and rising stars from afar, including Vietnam's exotic songbird Bach-Yen, the jazzy Colorado-based Lee Arlano Trio (both also Sonobeat recording artists), Paul New and the Crew (who Sonobeat also records but whose material is never released), Tony Daryll, Mavis Rivers, and Ketty Lester.

Almost as soon as The Club Seville officially opens in January 1966, Don signs on for a package of weekly KAZZ-FM live remote broadcasts, all hosted by KAZZ station manager Bill Sr., a tradition that continues through KAZZ's final live broadcast on New Year's Eve 1967. Don also frequently performs with The Club Seville's house bands (which at one point includes the Lee Arlano Trio) and can belt 'em out with the best of the pop stylists of the era, his voice and phrasing reminiscent in many ways of that other Dean (Martin), for which he earns the moniker "Austin's Ol' Blue Eyes". KAZZ's remote broadcasts from The Club Seville lead to a strong friendship between Bill Sr. and Don, so it's almost inevitable that when Bill Sr. co-founds Austin-based Sonobeat Records in May 1967, Don joins the label's embryonic roster. Don's Sonobeat single Night Life, a production subsidized by The Club Seville, becomes the label's third stereo 45 RPM release.

...a total jazz lounge extravaganza with awesome over the top golden throat vocals. Totally gets you in the mood of The Club Seville at the Sheraton Crest Inn where [Don] performed.
Subliminal Sounds online review

If any Sonobeat recording fully embraces Austin's indigenous pop jazz scene in the second half of the 1960s, it's Don's freewheelin' interpretation of Rodgers and Hart's Where Or When (from the 1939 Broadway musical Babes In Arms), the single's "B" side. The "A" side, Night Life, is Don's literate and lively reading of Willie Nelson's 1959 classic, a big hit in 1960 for country singer Ray Price. The original backings for both singles and for a third song, Bye, Bye Blackbird, are furnished by the Lee Arlano Trio while it's doing a stint as The Club Seville's house band, but Bill Sr. isn't happy with the Arlano arrangements. Although a contemporaneous article by Wray Weddell in the Austin Statesman newspaper credits Paul New and The Crew as the backing band, there are no such tapes in the Sonobeat archives. Both sides of Don's single, as released, are backed by the versatile Michael Stevens IV, the jazzy combo that also backs Sonobeat's Fran Nelson and Bach-Yen singles in 1968.

Recorded in the spacious Embassy Room at The Club Seville on September 30, 1967, Don's instrumental backing tracks are mixed "wet" – in a single pass – to a quarter-inch 2-track Ampex 354. Don overdubs his vocals a day later at the KAZZ-FM studios in downtown Austin. The result is pure, adult pop jazz. And, of course, in 1967, jazz rhymes with KAZZ, which is how this relationship all started.

Don's single gets the third Sonobeat custom picture sleeve, a high contrast photo of Don in a layout created by Sonobeat co-founder Rim Kelley, who also engineers Don's Sonobeat sessions. The single sells surprisingly well, not just at The Club Seville as a must-have souvenir to remind lovebirds of a delightful evening of dining and dancing, but also at downtown Austin music stores J. R. Reed and The Record Shop.

For two and a half years, I brought acts from the West Coast to the Crest. But I quit when I came to the realization that you just can't get big-name performers here because of the liquor laws. Private clubs could do much better in getting star performers if liquor-by-the-drink sales were permitted.
Don Dean quoted in an August 5, 1969, Ginger Banks article in the Austin Statesmsn newspaper lamenting Texas' then-current stringent liquor laws

Notwithstanding his formidable stage presence and affable personality, Don is modest and, instead of recording an album for Sonobeat, encourages Bill Sr. to spend his time and resources recording other performers who grace The Club Seville's stage. As Don's contract with the Crest ends in June 1968, for his last hurrah he brings back one of The Club Seville's most popular and exciting acts, Tony Daryll, who Sonobeat wants to record but who already has another record contract in place. When Tony's two-week run ends on June 22, 1968, Don's run at The Club Seville also ends. In July 1968, Don starts to put together plans to open a new dinner and dance club in Austin, but nothing comes of it. But by September 1968, Don's hosting a one-hour weekday big band and jazz music program, The World of Dean, on Austin's KHFI-FM. Rim Kelley produces and engineers Don's KHFI program, which is pre-recorded for several months before switching to a live in-studio program. In 1969, Don emcees the Austin Aqua Beauty pageant, presented in conjunction with the Austin Aqua Festival, and, in 1970, takes over as emcee for the Miss Highland Lakes Universe Pageant held in Kingsland, Texas. Pageantry in his blood, in 1974 Don is named chairman and emcee of the Miss Sun & Fun Beauty Pagent, held at the Austin Municipal Auditorium. In 1976, Don joins with Austin country musician Wink Tyler to open the Austin Country Studio, a recording facility on Clawson Road in south Austin. Don resurfaces on the night club scene in April 1978 as the "Ringmaster" at the then-new Circus Club at Austin's Villa Capri Hotel, where he produces and directs the, yes, circus-themed nightly entertainment.

In October 2018, The LINE Austin Hotel reimagines its ground floor bar and grill as Dean’s One Trick Pony, named, of course, in honor of Don and serving up a casual and slightly throwback burger and booze menu that Don would appreciate. Don Dean, a man for all seasons and all occasions, whose legend lives on.

Don Dean personnel

Don Dean: vocals
The Michael Stevens IV: backing band
   Mark Chaney: bass violin
   Ike Ramirez: trumpet
   Michael Stevens: piano and vibes
   Billy West: drums

Sonobeat stereo 45 RPM release PV-s401 (1967)

"A" side: Night Life (Willie Nelson) • 3:14
"B" side: Where Or When (Rogers & Hart) • 2:17

Released week of October 30, 1967* • PV-s401
Produced by Bill Josey Sr.
Engineered by Rim Kelley
Single-sided black & white picture sleeve
Basic instrumental tracks recorded at The Club Seville at the Crest Motor Inn, Austin, Texas, on September 30, 1967
Vocals overdubbed at KAZZ-FM, Austin, Texas, on October 1, 1967
Recording equipment: ElectroVoice 665 microphones, Ampex 350 and 354 quarter-inch 2-track tape decks, custom 6-channel portable FET stereo mixer, Scotch 203 tape stock
Vinyl collector information for PV-s401

Between 1,000 and 1,500 copies pressed
Lacquers mastered and vinyl copies pressed by Houston Records, Inc., Houston, Texas
Single-sided black and white picture sleeve
Label blanks and picture sleeve printed by Powell Offset Services, Austin, Texas
In the dead wax:
    Night Life: LH-3922
   Where or When: LH-3923
   "LH" in the matrix number means "Location Houston", which identifies Houston Records, Inc.

Unreleased Sonobeat recordings

Bye, Bye Blackbird (backed by the Lee Arlano Trio)

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A publicity photo provided by Don Dean, turned into a high contrast image by Miller Blueprint in Austin, provides the backdrop for the single's sleeve design by Sonobeat co-founder Rim Kelley
The first set of Don's instrumental backing tracks, recorded in July 1967 by the Lee Arlano Trio, which are discarded
The October 1967 instrumental backing tracks, re-recorded by The Michael Stevens IV; these become the backing tracks for the released Don Dean single
The final master tape for Don's Sonobeat single, showing Bill Josey Sr.'s instructions to Houston Records' mastering engineer
The April 14, 1978, grand opening ad (appearing in the Austin American-Statesman newspaper) for Austin's Villa Capri Hotel's Circus Room, where Don Dean serves as producer and director, and "Ringmaster" of the lively enterainment; note the ad's request for "Coats and Ties"