Pleasant Street Band

Indianapolis, Indiana

Records with Sonobeat in 1972
No commercial releases on Sonobeat Records

So, ten years ago, in 2008, we're re-indexing the Sonobeat master tape library and come upon two previously overlooked reel boxes marked "Pleasant Street". For over 40 years, we've had a mysterious, unlabelled 33-1/3 RPM LP test pressing in the Sonobeat archives. The LP is a little folksy, a little bluesy, with tinges of gospel here and there, and features vocals that sound vaguely familiar to us. On a hunch we compare the ten songs on the test pressing to the ten songs on the newly-discovered Pleasant Street master tapes and, voilà, they're the same! And the voice we recognize singing lead is Bill Wilson's. Wilson has some pre-Pleasant Street Band history with Sonobeat: initially, in 1969 while an airman stationed at Austin's Bergstrom Air Force Base, he records a non-commercial demo album showcasing songs composed by Austinite Herman Nelson, followed by a demo album of his own original compositions. In 1970, Bill's recruited to sing lead on Sonobeat's hard rock album by Mariani.

His Air Force service over, in 1972 Wilson returns to his native Bloomfield, Indiana, taking a factory job in nearby Indianapolis. A popular local club act, the folksy Pleasant Street Band, is looking for a Dobro player at the same time. Wilson doesn't play the Dobro, which is a brand of acoustic steel guitar with a metal resonator instead of a sound board, but that doesn't stop him. He learns the distinctive sounding instrument almost overnight in order to audition for the band. Soon after being invited to join Pleasant Street Band, Wilson takes his bandmates on a road trip to Austin to record an album with his friend, Sonobeat co-founder and producer Bill Josey Sr. Although the Sonobeat archives don't indicate who in addition to Wilson performs on Sonobeat's Pleasant Street recordings, a bit of online research plus confirmation from Chuck Cline's daughter reveals that the band also includes Cline, Scott O'Malley, Tom Williams, and Greg O'Haver. There is also a "Pleasant Street Blues Band", originally formed in the '60s in Springfield, Ohio, that still performs today, but that unit is unrelated to the Pleasant Street Band from Indianapolis that records with Sonobeat. Although we don't know the inspiration for the band's name, there's a Pleasant Street in Indianapolis' Fountain Square district – a neighborhood filled with Victorian-style homes built in the early 1900s – and we suspect the band may have been formed in this 'hood.

The titles of the songs on the master tapes and test pressing aren't listed anywhere in the Sonobeat archives, so we have to guess at many of them. But we do recognize covers of Rod Stewart's Seems Like A Long Time, Neil Diamond's hit Brother Love's Traveling Salvation Show, and Harry Nilsson's The Rainmaker made famous by The 5th Dimenson. And one more is a guitar-accompanied spoken word adaptation of a Japanese and Chinese folk tale about the difference between heaven and hell (hint: the residents of heaven feed each other). Still two more are Bill Wilson compositions, Father Let Your Light Shine Down and Following My Lord, that eventually will appear on his Columbia Records solo album Ever Changing Minstrel. All the tunes are lovely and inspiring folk-inflected renditions.

Although the Pleasant Street Band recordings have an unusual sonic quality, often sounding muddy and just as often with vocals buried in the instrumentation, we feel fairly certain the group recorded with Sonobeat during mid- to late-1972 at its North Lamar studio in Austin, Texas. We also know that Sonobeat recorded a live concert by the band, probably in Austin, since we have a copy of that tape in the Sonobeat archives. And, because we have the Pleasant Street LP test pressing in the archives, we know that Sonobeat producer Bill Josey Sr. sends the master tapes off to Sidney J. Wakefield & Company in Phoenix, Arizona, for perhaps no more than a dozen copies to be mastered and pressed. We surmise that by having test pressings made he intends to circulate the album to his contacts at the major U.S. record labels, hoping to sell the album masters for a national release, but there's no sale, and the album remains unreleased, even on the Sonobeat Records label.

The band is fairly successful in and around Indianapolis, opening The Pleasant Street Music Hall, a restaurant-bar-music hall combo. But, as 1974 comes to an end, Pleasant Street Band breaks up, and its members spread to other Indianapolis-area bands. Bill Wilson, however, moves on to a solo career, eventually landing a recording contract with Columbia, and becomes somewhat of a folk legend in his hometown. Bill's career tragically ends when he suffers massive heart failure in November 1993. Greg O'Haver continues to perform as a member of the current line-up of the folk-rock group The New Christy Minstrels.

Sonobeat Tags

Pleasant Street Band personnel

Although unverified, we believe this list to be correct:
Chuck Cline: drums and vocals
Greg O'Haver: guitar, banjo, and vocals
Scott O'Malley: rhythm guitar, keyboards, and vocal
Tom Williams: bass and vocals
Bill Wilson: dobro and vocals

Unreleased Sonobeat recordings

Brother Love's Traveling Salvation show (Neil Diamond)
Father Let Your Light Shine Down (Bill Wilson)
Following My Lord (Bill Wilson)
Rainmaker, The (Harry Nilsson & Bill Martin)
Seems Like A Long Time (Rod Stewart)
Five unidentified songs

Produced and engineered by Bill Josey Sr.
Recorded at Sonobeat Studios on North Lamar, Austin, Texas, in the second half of 1972
Recording equipment: ElectroVoice 665 microphones, ElectroVoice Slimair 636 microphones, Sony ECM22 electret condenser microphones, AKG D707E dynamic microphone, Scully 280 half-inch 4-track tape deck, Stemco half-inch 4-track tape deck, Ampex AG350 tape deck, custom 16-channel quad-bus mixing console, Fairchild Lumiten 663ST optical compressor, Blonder-Tongue Audio Baton 9-band stereo graphic equalizer, custom steel plate stereo reverb, 3M (Scotch) 202 and Ampex 681 tape stock

Album test pressing:
   Test pressing includes all ten tracks recorded by Pleasant Street Band at Sonobeat's North Lamar studio in Austin, Texas
   Approximately a dozen copies pressed; plain white unprinted labels; plain white unprinted cardboard jacket
   Lacquers mastered and vinyl copies pressed by Sidney J. Wakefield & Company, Phoenix, Arizona
   In the dead wax (both sides): Wakefield tulip logo 16194 and HEC 624
   What's that flower-shape in the dead wax? It's the Sidney J. Wakefield logo, stamped into the lacquer masters next to the matrix number.
   HEC is believed to be the initials of the Sidney J. Wakefield & Company mastering engineer.

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Final word

Sonobeat works with Bill Wilson on and off over several years: first, in 1969, Bill records a song demo album for Sonosong composer Herman Nelson. Next, Bill records a song demo of his own compositions. Then, he joins the "cast" of vocalists performing on Sonobeat's Mariani album in 1970. Finally, he returns with his Indiana-based folk quintet, Pleasant Street Band, in 1972. Post-Pleasant Street, Bill enjoys a solo recording and performing career based in Indianapolis and Nashville. He succumbs to massive heart failure in 1993.

The Pleasant Street Band master tape box doesn't tell us much...