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JOYCE SPENCE

Austin, Texas

Records with Sonobeat in 1973
No commercial releases on Sonobeat Records
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Joyce Spence publicity photo
A publicity photo Joyce uses in the 1970s

The Sonobeat archives hold no information about country singer Joyce Spence (née Street) beyond the fact that in February 1973 she self-finances recording sessions yielding four songs at Sonobeat's studios on North Lamar in Austin, Texas. Comparing Joyce's Sonobeat tracks to those of Johnny Lyon and Janet Lynn, we're able to conclude that Johnny's band, the Country Nu-Notes, provides the backing instrumentals for Joyce. The four songs – (I've Got) a Head on My Shoulders, Don't Make Me Cry, Tied Down, and Troubled Woman – are Joyce's original compositions. Oddly, we find only the raw vocal tracks of Troubled Woman and The Music Soft And The Lights Down Low in the the Sonobeat archives and assume these songs weren't intended as a cappella pieces but, rather, that they were extracted from the session master tapes, which were likely delivered to Joyce since she paid for the sessions.

Sonobeat producer Bill Josey Sr. mixes down monaural demos of I've Got A Head On My Shoulders and Don't Make Me Cry from the half-inch 4-track session masters. In March, as a courtesy to Joyce, he sends a dub of the songs to Ron Bledsoe, Vice President of A&RArtist & Repertoire exeutives at record labels build and manage a roster of artists, connecting them to new songs and overseeing their recording activities. at Columbia Records in Nashville. There are no documents in the Sonobeat archives indicating whether Ron ever responds to Bill, but we can assume it's a "pass", as Columbia never issues any of Joyce's material.

Joyce returns to Sonobeat a month later, in March 1973, to record five additional tracks with Glenn Proctor, mostly Joyce on vocals and Glenn on guitar, along with re-dos of I've Got A Head On My Shoulders and Don't Make Me Cry. Nothing about these songs is known except the titles and composers, which are marked on the tape box holding the mono dubs. Except for Swimming In The Bottle, which is Glenn's composition, these also are Joyce's original songs. Joyce and Glenn record two versions of Swimming In The Bottle. Glenn sings the first version, and Joyce sings the second.

Joyce's February tracks are solidly performed with a solid, straight-up band – the Country Nu-Notes – backing her, who return to back the March re-dos. But these recordings, in a more traditional country style, aren't in the zeitgeist of the progressive country movement that's taken a grip on Austin and the country music industry in the mid-'70s, so Joyce's recordings aren't sold to a major label or released by Sonobeat.

In late 2021, we're approached by The Numero Group, which under license from Joyce has been collecting her recorded output, which includes the tracks Joyce has recorded with Sonobeat and at other studios spanning a decade, and we're pleased to work with Numero to make this happen. In late 2022, Numero releases the digital version of Joyce's anthology album, Tied Down, under her maiden name, Joyce Street. Numero releases the vinyl edition on March 31, 2023.

Joyce Spence personnel

Joyce Spence: vocals
Glenn Proctor: guitar and vocals
Backing band: Country Nu-Notes
   Bob Garrett: drums
   Johnny Lyon: guitar
   Jimmy Placquert: steel guitar
   Mickey Rice: bass
   Phil Tucker: lead guitar

Unreleased Sonobeat recordings

Back Streets Of Your City (Joyce accompanied by Glenn Proctor)
California You're Slippin' (Joyce accompanied by Glenn Proctor)
Don't Make Me Cry (Joyce accompanied by the Country Nu-Notes)
I've Got A Head on My Shoulders (Joyce accompanied by the Counry Nu-Notes)
Swimming In The Bottle (Glenn Proctor)
Tied Down (Joyce accompanied by Glenn Proctor)
Troubled Woman (Joyce)
The Music Soft And The Lights Down Low (Joyce)

Produced and engineered by Bill Josey Sr.
Recorded at the Sonobeat studios, 705 North Lamar, Austin, Texas, in February and March 1973
Recording equipment: ElectroVoice 665 microphones, ElectroVoice Slimair 636 microphones, Sony ECM22 electret condenser microphones, Scully 280 half-inch 4-track tape deck, Stemco half-inch 4-track tape deck, Ampex AG350 and 354 quarter-inch 2-track tape decks, custom 16-channel 4-bus mixing console, custom steel plate stereo reverb, 3M (Scotch) 202 tape stock
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Joyce's finished master tape of I've Got a Head on My Shoulders and Don't Make My Cry that producer Bill Josey sends to his contact at Columbia Records in Nashville
The master tape from the March 1973 Sonobeat sessions with Joyce Spence and Glenn Proctor