Sonobeat Artists

Jim Chesnut

Singer-songwriter.
Country gentleman.

Jim Chesnut
Home base: Austin, Texas
Genre: Folk-Rock
Recorded with Sonobeat: 1968 & 1969
Sonobeat release: About to Be Woman backed with Leaves 45 RPM stereo single (1968)

Jim Chesnut

Fortuitous meeting

Midland, Texas, native Jim Chesnut finished his core radio-TV coursework at nearby Odessa College in 1967 then headed to Austin to start a bachelor degree at The University of Texas. While attending UT full-time, Jim worked the morning drive-time deejay shift at KVET, one of Austin’s two country radio stations. The year was 1967, and Austin-based Sonobeat Records had launched a few months earlier, recording and releasing its first stereo 45 RPM singles that fall. At the same time, Sonobeat co-founder Bill Josey Jr. also attended The University of Texas while working the afternoon deejay shift on KAZZ-FM using the air name Rim Kelley. In 1968, Jim and Rim ended up classmates at UT. Through casual classroom conversation, they discovered each was a deejay and that they worked only blocks apart at radio stations in downtown Austin. They began speaking regularly by phone about their deejay experiences. When Jim mentioned that he also sang and played guitar evenings at Austin’s top folk music cabarets, The Eleventh Door and The Chequered Flag, Rim brought Jim to Sonobeat to work with Sonosong Music composer Herman Nelson, who had a large catalog of original folk and country tunes, and Rim’s father, Sonobeat co-founder and producer Bill Josey Sr. Thus was the chance connection that helped launch Jim’s long career, still going strong today, in country music.

Jim’s story continues below ↓


Sonobeat Artists


Jim Chesnut


Jim Chesnut
Jim Chesnut at Sonobeat’s home-based studio in northwest Austin

From introductions to recording sessions

In September 1968 folk-pop performer Jim Chesnut recorded twoHerman Nelson compositions for Sonobeat co-founder and producer Bill Josey Sr. About to Be Woman is a folk ballad Herman described as a modern love song. Leaves is a plaintive commentary on everyday life – as relevant at the moment you’re reading this as when Jim recorded it in ’68. The songs were released in November 1968 as Sonobeat 45 RPM stereo single PV-s112, which was Jim’s recording debut. Jim’s single was issued in a picture sleeve designed by Sonobeat co-founder Rim Kelley and was Sonobeat’s final custom sleeve.


Jim Chesnut's Single Master Tape
The master tape for Jim Chesnut’s Sonobeat single
About to Be Woman single
The “A” side of Jim Chesnut’s Sonobeat single
Jim Chesnut single sleeve
Jim Chesnut’s single’s custom sleeve

Jim returned to Sonobeat in April 1969 to record a series of pop and country covers including By the Time I Get to Phoenix, The Impossible Dream, They Call the Wind Maria, Woman Woman, Games People Play, Where’s The Playground Susie, Husbands and Wives, and Wives and Lovers (the latter two songs are different, although it may sound as if there’s a typo: Husbands and Wives is a Roger Miller country tune, and Wives and Lovers is a Burt Bachrach-Hal David pop song originally made a hit by Jack Jones). Bill Sr. appeared to be trying to build a commercial album release with Jim, but regardless whether that was the goal, none of Jim’s April ’69 recordings were ever released. As a side note, Jim’s April ’69 sessions may mark the first time in Austin recorded music history that an artist was backed entirely by session musicians, much the same way the famous Los Angeles-based Wrecking Crew, consisting of a revolving door of talented musicians, provided the backing tracks for thousands of rock and pop albums and singles from the ’60s through the ’80s. Because Jim was a solo act with no band of his own, Bill Sr. assembled a small hand-picked combo from the large pool of Austin musicians, including Sonobeat regular Mike Waugh on bass, to record Jim’s backing tracks.


Additional recordings
Additional tracks recorded by Jim Chesnut in April 1969
Liberty Recorders label
A Liberty Recorders label used to submit Jim Chesnut’s demos to Liberty Records

Bill Sr. picked three of Jim’s cover demos for an acetate disc that he circulated to his A&RArtist & Repertoire (A&R) executives at record labels recruit and manage a roster of artists, connecting them to new songs and overseeing their recording and promotional activities. contacts at Liberty Records, looking for a major label release of Jim’s Sonobeat recordings. When delivering Sonobeat’s Johnny Winter master tapes of The Progressive Blues Experiment to Liberty Records in Los Angeles in 1968, Bill Sr. snagged a stash of Liberty Recorders tape box labels that he used whenever he hoped to make a new sale to Liberty.


Jim and company
  • Jim Chesnut (guitar and vocals)
  • Mike Waugh (bass)
  • Unidentified musician (drums)
  • Unidentified musician (organ)

About to Be Woman
Recording and release details
45 RPM stereo single

“A” side: About to Be Woman (Herman M. Nelson) • 3:00
“B” side: Leaves (Herman M. Nelson) • 2:17

Catalog number: PV-s112

Single-sided black and white picture sleeve

Released week of November 10, 1968*

*Release date is approximated using best information available from the Sonobeat archives and public records



Produced by Bill Josey Sr.

Engineered by Rim Kelley

Basic instrumental tracks and vocal overdubs recorded at Sonobeat’s Western Hills Drive studio, Austin, Texas, on September 19, 1968

Recorded using...

  • AKG D707E dynamic, ElectroVoice 665 dynamic, ElectroVoice Slimair 636 dynamic, and Sony ECM-22 electret condenser microphones
  • Scully 280 half-inch 4-track and Ampex AG-350 tape decks
  • Custom 10-channel portable stereo mixer
  • Custom steel plate stereo reverb
  • 3M (Scotch) 202 tape stock


1,000 to 1,500 copies pressed; approximately 50-75 copies rubber stamped “PROMO COPY”; About to Be Woman side of promo copies also rubber stamped with a to indicate the “A” side for radio stations and reviewers

Lacquers mastered and vinyl copies pressed by Sidney J. Wakefield & Company, Phoenix, Arizona

Label blanks and picture sleeve printed by Powell Offset Services, Austin, Texas

In the dead wax...

  • About to Be Woman: SJW-10906 PV-s112A
  • Leaves: SJW-10906 PV-s112B
  • “SJW” in the matrix number identifies Sidney J. Wakefield & Company as the lacquer mastering and pressing plant


Unreleased recordings

By The Time I Get to Phoenix (Jimmy Webb)
Games People Play (Joe South)
Husbands and Wives (Roger Miller)
The Impossible Dream (Mitch Leigh-Joe Darion)
They Called the Wind Maria (Lerner-Loewe)
Where’s the Playhouse Susie (Jimmy Webb)
Wives and Lovers (Burt Bacharach-Hal David)
Woman, Woman (Jim Glaser-Jimmy Payne)



Produced by Bill Josey Sr.

Engineered by Rim Kelley

Basic instrumental tracks and vocal overdubs recorded at Sonobeat’s Western Hills Drive studio, Austin, Texas, on April 22, 1969

Recorded using...

  • AKG D707E dynamic, ElectroVoice 665 dynamic, ElectroVoice Slimair 636 dynamic, and Sony ECM-22 electret condenser microphones
  • Scully 280 half-inch 4-track and Ampex AG-350 tape decks
  • Custom 16-channel 4-bus mixing console
  • Fairchild Lumiten 663ST stereo optical compressor
  • Blonder-Tongue Audio Baton 9-band graphic equalizer
  • Custom steel plate stereo reverb
  • 3M (Scotch) 202 tape stock

Listen!
00:00
Jim Chesnut
00:00

Although Jim recorded no original songs of his own for Sonobeat, his career as both singer and composer in his own right blossomed in the ’70s after he moved to Nashville and took up residence as a staff writer for world-famous music publisher Acuff-Rose. A Grammy nominee for his composition Show Me a Sign, Jim recorded two albums and more than a dozen singles for the MGM, ABC, and Capitol labels and played clubs and concerts across the country. Suddenly abandoning music in 1982, Jim shifted gears, launching a career as a certified public manager (and on the side operating an audiovisual and graphics production business) in San Antonio, Texas. Twenty-six years later, in 2008, Jim returned to music, but just as his rebooted singing and songwriting career was reaching a new crescendo, he got a life-changing shock: in 2017 he was diagnosed with a malignant tumor under his tongue. Due in large part to quality medical treatment and Jim’s extraordinary fortitude and positive attitude, he made a successful recovery. By 2018, he completed and released a new album, boldly titled I Sure Do Miss My Hair, from which the country single Rode Hard and Put Away Wet was drawn. In September 2018, the single reached #1 on IndieWorld Country Record Report’s top hits chart. And, in January 2019, Jim resumed his previously-interrupted graduate studies at Texas State University in San Marcos, Texas, focusing on non-pharmacological methods for reducing stress in cancer patients, earning a Master of Arts in Interdisciplinary Studies in 2020 and winning the department award for outstanding research. Today, Jim is completing a health and lifestyle guide entitled I Sure Do Miss My Hair: Living with Cancer (and Other Crap That Happens) that presents his Power Living formula for managing stress. For more about Jim’s post-Sonobeat career and current activities, visit his personal website.


Jim Chesnut
A publicity photo from Jim’s early years in Nashville (circa 1972-'73)

The context menu is not permitted on this page.