Sonobeat Artists

Lavender Hill Express

Austin ’60s supergroup.
Three hit singles on Sonobeat.

Lavender Hill Express
Home base: Austin, Texas
Genre: Country | Progressive Rock | Rock
Recorded with Sonobeat: 1967 & 1968
Sonobeat releases: Visions backed with Trying to Live a Life 45 RPM stereo single (1967), Watch Out! backed with Country Music‘s Here to Stay 45 RPM stereo single (1968), Outside My Window backed with Silly Rhymes 45 RPM stereo single (1968), and remastered digital reissues (2014, 2017 & 2018)

This is Lavender Hill Express

Formed when two of Austin’s hottest rock bands broke up in mid-1967, Lavender Hill Express rapidly became one of Austin‘s most sought-after club bands. The quintet consisted of two former members of The Wig, Rusty Wier (drums) and Jess Yaryan (bass guitar), two former members of the Baby Cakes, Layton DePenning (guitars) and Leonard Arnold (guitars), and Johnny Schwertner (keyboards), formerly of another hot Austin band, The Reasons Why. Unusual for rock groups at the time, all five band members sang lead as well as harmony. Layton, Rusty, Leonard, and Johnny composed original songs for the band. From the Beatlesesque Visions to hard driving rocker Watch Out! to acoustic ballad Silly Rhymes, Lavender Hill Express was the most versatile of the acts, comprised of some of Austin‘s most talented songwriters, singers, and musicians, that Sonobeat recorded.

Read the full story below

Lavender Hill Express
Leonard Arnold on lead guitar and vocals
Leonard Arnold (lead guitar and vocals)
Layton DePenning on guitar and vocals
Layton DePenning (guitar and vocals)
Rusty Wier on drums, guitar, and vocals
Rusty Wier (drums, guitar, and vocals)
Jess Yaryan on bass and vocals
Jess Yaryan (bass and vocals)


Sonobeat Artists


Lavender Hill Express


A supergroup is born

Nearing the end of 1967, Austin, Texas-based Sonobeat Recording Company had enjoyed moderate success with its first three stereo 45 RPM singles, all released within the first few months of its operation: the Sweetarts’ rock single A Picture of Me, Lee Arlano Trio’s jazz instrumental There Will Never Be Another You, and Don Dean’s pop vocal Night Life. Sonobeat co-founders Bill Josey Sr. and Rim Kelley“Rim Kelley” was the pseudonym used by Sonobeat co-founder Bill Josey Jr. as a radio deejay in Austin, Texas, during the 1960s and as a Sonobeat producer from 1967 to 1970. were on the lookout for another hot Austin rock band to record. The previous year, in 1966, two of Austin’s most popular club bands, The Wig and the Baby Cakes, had disbanded, and some of their former members had merged to form a new entity. During one of the new band’s initial practice sessions, keyboardist Johnny Schwertner saw a television commercial for the classic gangster movie The Lavender Hill Mob. Inspired by the name, he suggested replacing “Mob” with “Express” to create a more contemporary name. The band members unanimously adopted the name, and Lavender Hill Express officially was born (the band was unrelated to the Clefs of Lavender Hill, a Miami, Florida, band that formed in 1966 and disbanded in 1968).

On evenings and weekends, Bill Sr. and Rim scoured Austin’s thriving music scene, catching Lavender Hill Express a few times in summer and fall 1967 at the Jade Room, a popular downtown Austin nightclub. Sonobeat’s friend Mike Lucas, who was then an afternoon deejay at KNOW, Austin’s top rock ’n’ roll radio station, managed the band and made introductions. By November ’67, Lavender Hill Express had embarked on a one-year recording relationship with Sonobeat Records. The band was one of the best the Joseys had heard, and as a bonus, its material was original, making it an ideal choice to record new songs that also would feed Sonobeat’s publishing company, Sonosong Music.


Lavender Hill Express at the Jade Room
Lavender Hill Express Jade Room performance (1967)
Lavender Hill Express at the Jade Room
Lavender Hill Express onstage at the Jade Room (1968)

The players
Bandmates
  • Leonard Arnold (lead guitar and vocals)
  • Layton DePenning (guitar and vocals)
  • Gary P. Nunn (keyboards and vocals on Outside My Window)
  • Johnny Schwertner (keyboards and vocals on Visions, Trying to Live a Life, Watch Out!, and Country Music’s Here to Stay
  • Rusty Wier (drums, standard guitar, and vocals)
  • Jess Yaryan (bass and vocals)


Additional musicians
  • Jim Brown (steel guitar; guest musician on Country Music’s Here to Stay
  • Richard Green (harpsichord; guest musician on and string quartet arranger for Visions and Trying to Live a Life)
  • Uncredited members of the Austin Symphony Orchestra (string quartet on Visions and Trying to Live a Life)

The band has Visions

The first of Lavender Hill Express’ Sonobeat releases was guitarist Layton DePenning’s up-tempo Visions, a pop-rock tour-de-force with a catchy hook and strong vocal harmonies. The flip side was keyboardist Johnny Schwertner’s ballad Trying to Live a Life, on which Johnny also provided lead vocal. In ’67, Sonobeat had no recording studio facilities, so it rented nightclubs during their off hours and carted in its portable gear for recording sessions. Only months before, Sonobeat recorded its first single, by the Sweetarts, using the large dance floor at Swingers Club in north Austin as a mobile recording studio. Sonobeat returned there for Lavender Hill Express’ first session. The resulting instrumental backing tracks were solid, but producer Rim Kelley thought a string arrangement would add a contemporary sound, a trend popularized by The Beatles, Mamas and Papas, and Motown artists. Sonobeat hired local arranger-conductor Richard Green, who contracted a string quartet – two violins, a viola, and a cello – composed of members of the Austin Symphony Orchestra for an overdub session. Green also played harpsichord alongside the string quartet. The string and harpsichord overdub session, held at the KAZZ-FM studios in downtown Austin, were scheduled for November 25, 1967, giving Richard about a month to pencil out arrangements for both tunes. The vocal overdubs were recorded a day after the strings were recorded, also at the KAZZ studios, and on December 6th Bill Sr. drove the final mixes to Houston, Texas, for mastering and pressing by Houston Records, Inc. Lavender Hill Express’ first single barely made it out in ’67, hitting Austin record stores only days before Christmas. It sold well enough to justify a second pressing in February ’68, at which time the band made a promotional appearance at a record-signing event at G.C. Murphy, one of Austin’s leading discount record retailers in the ’60s. Collectors easily can tell whether they have a copy from the first pressing or the second pressing: the first pressing used Sonobeat’s yellow label background and the second marked the first appearance of Sonobeat’s blue label background. The February 3, 1968, edition of Cash Box named Visions a Best Bet.

Lavender Hill Express immediately benefitted from airplay that Visions received on Central Texas radio stations. Layton DePenning recalls that the release of the single legitimized the band, providing opportunities to open for the Beach Boys, Lovin’ Spoonful, Animals, Strawberry Alarm Clock, Buffalo Springfield, and almost every other national act that came through Austin in the months following the single’s release.


Visions string overdub tape box
The string overdub master for Lavender Hill Express’ first Sonobeat single
Lavender Hill Express Visions tape box
Final master tape for Lavender Hill Express’ first Sonobeat single
The first pressing of Lavender Hill Express’ single, issued in December 1967
First pressing (1,000 copies) of Lavender Hill Express’ Visions single
Blue label edition of Lavender Hill Express' single
Second pressing (1,000 to 1,500 copies) of Lavender Hill Express’ Visions single


[Visions] was written in a time in America when youthful rebellion was the theme of the day. There were many statements about splitting off from current life philosophies and forging new paths and rejecting the established ones of our parents. Early on, the music and rhetoric was somewhat innocent and idealistic compared to the militant and often violent expressions to come later. [Visions] was like the theme of the then current and popular movie The Graduate. As a young college student at the time, I could relate.”


Visions
National review
Lavender Hill Express Cash Box review


I grew up in Schwertner, Texas, a small rural community 40 miles northeast of Austin, that was founded in the early 1900s by my great-grandfather, after he immigrated to Texas from Europe in the 1880s. [Trying to Live a Life] was my teen-aged response to the way adults in my community and high school reacted to the “evils” of rock and roll, since there had been virtually no live bands of this type in my area up to this point in time. Also, I have to admit that the song was partially the result of a huge crush I had on a beautiful high school [classmate]; unfortunately, that relationship never worked out as I hoped – but at least it led to a song to remind me of those golden days.”


Visions
Recording and Release Details
45 RPM stereo single

“A” side: Visions (Layton DePenning) • 2:15
“B” side: Trying to Live a Life (Johnny Schwertner) • 2:00

Catalog number: R-s102

Single-sided black and white picture sleeve

Released week of December 18, 1967*

*Release date is approximated using best information available from the Sonobeat archives and public records



Produced and engineered by Rim Kelley

Basic tracks recorded at Swingers Club, Austin, Texas, during mid-October 1967

String quartet and harpsichord overdubs recorded at KAZZ-FM studios, Austin, Texas, on November 25, 1967

Vocal overdubs recorded at KAZZ-FM studios on November 26, 1967

Recorded using...

  • ElectroVoice 665 microphones
  • Ampex 350 and 354 quarter-inch 2-track tape decks
  • Custom 6-channel portable stereo mixer
  • 3M (Scotch) 202 tape stock


Between 2,000 and 2,500 copies pressed; labels of 50-100 copies overprinted with “PROMO” and "NOT FOR SALE"

Initial pressing (December 1967) featured Sonobeat’s yellow background label, and second pressing (February 1968) featured Sonobeat’s blue background label

Lacquers and master plates manufactured by Location Recording Services, Burbank, California

Vinyl copies pressed by Houston Records, Inc., Houston, Texas

Label blanks and picture sleeve printed by Powell Offset Services, Austin, Texas

In the dead wax on both the yellow label and blue label pressings...

  • Visions: LH-3932
  • Trying to Live a Life: LH-3933
  • “L” in the matrix number identifies Location Recording Services, Burbank, California, as the lacquer mastering facility and “H” identifies Houston Records as the pressing plant

Please Watch Out!

When it came time to record Lavender Hill’s second single, Sonobeat co-founder Bill Josey Sr. took the producing reigns, holding sessions with the band in mid-March 1968. Bill Sr. selected the hard driving Watch Out! by drummer Rusty Wier as the “A” side and lead guitarist Leonard Arnold’s Country Music’s Here to Stay as the “B” side. Guest musician Jim Brown was brought in to play steel guitar on Country Music’s Here to Stay, foreshadowing Austin’s progressive country movement that began in the early ’70s and in which four members of Lavender Hill Express, including Leonard, figured prominently.

The basic tracks for Watch Out! and Country Music’s Here to Stay were recorded at Austin’s hottest music venue, The Vulcan Gas CompanyThe Vulcan was Austin’s first successful hippie music hall, opening in 1967 in an old warehouse at 316 Congress Avenue and closing in 1970. Its better known successor was Armadillo World Headquarters. in downtown Austin. The sessions were recorded during off-hours in the Vulcan’s empty auditorium-sized dance hall. The reverb on Rusty Wier’s rim shot, used as punctuation in the chorus of Watch Out!, was created by placing a mike at the far end of the hall; the mike was turned on just as Rusty hit his snare to capture the Vulcan’s booming acoustics. With he Vulcan sessions completed, back at Sonobeat’s home-based Northeast Drive studio in Austin, engineer Rim Kelley flangedFlanging is a sweeping audio frequency comb filter created by playing two identical tapes on synchronized tape decks and recording the combined output onto another tape deck while lightly and alternately dragging a thumb on the outer flange of each tape reel during playback; the resulting slight frequency offsets create a swooshing sound. Modern digital audio workstations create a similar effect with the turn of a knob. the instrumental track for Watch Out! before the lead guitar and vocals were overdubbed. Although the basic instrumental track was flanged throughout, the effect is timed to create a particularly dramatic swoosh on the snare reverb. Rim recalls that the inspiration for adding the flanging effect was The Small Face’s 1967 hit Itchycoo Park, itself heavily flanged between verses. Sonobeat’s second Lavender Hill Express single was released regionally in June ’68 and garnered a Cash Box magazine Newcomer Pick review.


Lavender Hill Express Watch Out tape box
Final master tape for Lavender Hill Express’ second Sonobeat single
Watch Out single
The second Lavender Hill Express single, Watch Out!

Watch Out!
National review
Lavender Hill Express Cash Box review

Watch Out!
Recording and Release Details
45 RPM stereo single

“A” side: Watch Out! (Rusty Wier) • 3:14
“B” side: Country Music’s Here to Stay (Leonard Arnold) • 2:09

Catalog number: R-s 105

Double-sided, two-color picture sleeve

Released week of June 2, 1968*

*Release date is approximated using best information available from the Sonobeat archives and public records



Produced by Bill Josey Sr.

Engineered by Rim Kelley

Basic tracks and some vocal overdubs recorded at The Vulcan Gas Company, Austin, Texas, on March 19, 1968

Vocal and lead guitar overdubs completed at Sonobeat’s Northeast Drive studio, Austin, Texas, on or about March 20, 1968

Recorded using...

  • AKG D707E dynamic, ElectroVoice 665 dynamic, and ElectroVoice Slimair 636 dynamic microphones
  • Ampex 350 and 354 quarter-inch 2-track tape decks
  • Custom 10-channel portable stereo mixer
  • 3M (Scotch) 202 tape stock


Between 1,000 and 1,500 copies pressed; labels of 50-100 copies overprinted with “PROMO” and “NOT FOR SALE”

Lacquers and master plates manufactured by Longwear Plating, Long Island City, New York

Vinyl copies pressed by Houston Records, Inc., Houston, Texas

Label blanks and picture sleeve printed by Powell Offset Services, Austin, Texas

In the dead wax...

  • Country Music’s Here to Stay: LW R-S105A-1
  • Watch Out!: LW R-S105B-1
  • “LW” indicates the lacquer masters were cut by Longwear Plating

Watch Out recording session
Recording session for Watch Out! at The Vulcan Gas Company

Look Outside My Window

The third and final Lavender Hill Express single, recorded in September 1968 and released the following month, was Outside My Window, Layton DePenning’s experimental tune with highly visual lyrics and a jam-like progression. Sonobeat returned to The Vulcan Gas Company to record the instrumental backing track, and additional instruments and vocals were overdubbed at Sonobeat’s home-based Western Hills Drive studio. Outside My Window ran seven and a half minutes but was faded at 3:45 for the single. The flip side was Rusty Wier’s acoustic guitar and electric bass ballad Silly Rhymes, recorded entirely at the Western Hills Drive studio and one of the first sessions in which Sonobeat used its new Scully half-inch 4-track tape deck. Rim, who produced the first Lavender Hill Express single that featured a string quartet overdub, wanted to bring arranger Richard Green back to add a string section to Silly Rhymes, but Sonobeat’s heavy 1968 recording and release schedule, which stretched its resources to the limit, made the strings an unaffordable luxury. Meanwhile, Outside My Window became the only Sonobeat single released in two versions; the alternate version – distributed only to radio station deejays – offered the commercial stereo mix for FM stations on one side and a special monaural mix for AM stations on the other. The stereo/mono version of Outside My Window was’t sold to the public. The single picked up a Best Bet review from Cash Box magazine.

An additional song with the working title Trouble, written and with lead vocal by Rusty Wier, also was recorded alongside Outside My Window at The Vulcan and originally was intended as the “A” side of the band’s third single, with Outside My Window serving as the “B” side. Silly Rhymes was intended as the first of additional tunes that would round out a 10- to 12-track album, but when Bill Sr. and Rim heard the final mix of Silly Rhymes, the song selectino for the third single immediately changed. The planned Lavender Hill Express album was prematurely reported in the October 25, 1968, issue of The Armored Sentinel, the official newspaper of Fort Hood Army base in Temple, Texas, about 70 miles north of Austin. The paper reported “Austin rock group Lavender Hill Express is putting the finishing touches on their new album which they’re hoping to have released before the new year. They are much in demand in Texas for personal appearances and the album could be their springboard to national recognition”. But the additional tracks were never recorded and the album never finished for financial reasons, and Trouble was shelved.


Lavender Hill Express Ourside My Window backing track master
Instrumental master tape for Trouble and Outside My Window
Outside My Window master tape box
Outside My Window master mix-down
Outside My Window 45 RPM single
The “STEREO” side, for FM station airplay, of Outside My Window

Outside My Window
National review
Lavender Hill Express Cash Box review

Outside My Window
Recording and Release Details
45 RPM stereo single

“A” side: Outside My Window (Layton DePenning) • 3:45
“B” side: Silly Rhymes (Rusty Wier) • 2:09

Catalog numbers: R-s110 (stereo version) and R-m110 (mono version)

Generic sleeve

Released week of October 20, 1968*

*Release date is approximated using best information available from the Sonobeat archives and public records



Produced and engineered by Rim Kelley

Basic tracks for Outside My Window recorded at Vulcan Gas Company, Austin, Texas, on September 10, 1968

Vocal overdubs for Outside My Window recorded at Sonobeat’s Western Hills Drive studios, Austin, Texas, on September 28, 1968

Silly Rhymes recorded at Sonobeat’s Western Hills Drive studios, Austin, Texas, on September 28, 1968

Recorded using...

  • AKG D707E dynamic, ElectroVoice 665 dynamic, ElectroVoice Slimair 636 dynamic, and Sony ECM-22 electret condenser microphones
  • Scully 280 half-inch 4-track, Stemco half-inch 4-track, and Ampex AG-350 quarter-inch 2-track tape decks
  • Custom 10-channel portable stereo mixer
  • 3M (Scotch) 202 tape stock


Between 2,000 and 2,500 copies pressed

Approximately 250 deejay promo copies pressed featuring stereo and mono version of Outside My Window

Lacquers mastered and vinyl copies pressed by Sidney J. Wakefield & Company, Phoenix, Arizona

Label blanks and picture sleeve printed by Powell Offset Services, Austin, Texas

In the dead wax...

  • Outside My Window (mono radio station deejay edition): SJW-10896 R-M110 deejay
  • Outside My Window (consumer stereo edition): SJW-10897 R-S110A
  • Silly Rhymes: SJW-10897 R-S110B
  • SJW” in the matrix number identifies Sidney J. Wakefield & Company as the lacquer mastering and vinyl copy pressing plant


I remember Rusty Wier carrying around a small note pad for several weeks. Every time he thought of or heard a clever rhyme he liked, he wrote it down. These rhymes were usually cryptic, but almost always unrelated to each other in their inception. The folk poets like Bob Dylan were new and popular at the time. We suspected that Dylan was often doing the same thing, putting together rhymes that were unrelated, and leaving it to the listener to make the connections and derive meaning from them. So, when Rusty had enough rhymes, he put them together into the song Silly Rhymes. What does it mean? The clue is in the title.”


Wrapping ’em up

Visions was packaged in a single-sided black and white picture sleeve, but Bill Sr. pulled out all the stops for Watch Out!, which was released in a double-sided, two-color picture sleeve so that record retailers could rack the single in both the rock and the country sections, depending on which side of the sleeve faced out. Rim designed the sleeves for both singles using photos supplied by the band. However, by the time Outside My Window was released, Lavender Hill Express was well established, so the single was packaged only in a generic paper sleeve.

Lavender Hill Express holds the record for the most singles – three – that Sonobeat released by the same artist.


Visions custom
The Visions custom sleeve
Watch Out custom sleeve
The Watch Out! custom sleeve
The flip side custom sleeve
The flip side custom sleeve

Digital reissues and a vinyl experiment

In June 2014, Sonobeat Historical Archives began restoration and remastering of Lavender Hill Express’ material, initially by making high resolution 88.2kHz/24bit digital transfers from Sonobeat’s original analog session master tapes and then by using digital audio workstations to remove distortion, restore dynamic range and fidelity, and rebalance the mixes. We reissued the band’s Sonobeat catalog as an EP entitled Visions via the iTunes and Amazon Music stores on July 22, 2014, adding the long-shelved Trouble as a bonus track, fulfilling The Armored Sentinel’s prophecy of an impending album, albeit 46 years later. The surviving members of the band supported the digital reissue with a reunion performance at The Saxon Pub in Austin (Rusty Wier’s son Bon took his late dad’s seat at the drums and on vocals) on July 26, 2014. As a bonus, the Sweetarts reunion lineup made a special guest appearance with Lavender Hill Express at The Saxon to celebrate both bands’ 2014 digital reissues.

In 2017, we celebrated the 50th anniversary of Sonobeat’s vinyl release of Visions with a sparkling new remastered digital edition, available on Apple Music and iTunes in an Apple Digital Master version, on Amazon Music, and on more than a dozen other music download and streaming services around the world.

Watch Out!, released by Sonobeat on vinyl in June 1968, celebrated its 50th anniversary in June 2018 with a freshly-remastered edition, available on digital download and streaming platforms around the world and in a spectacular Apple Digital Master version on Apple Music and iTunes.

The 50th anniversary digital editions of both Visions and Watch Out! were remastered for Sonobeat Historical Archives by Colin Leonard at SING Mastering in Atlanta, Georgia, using our high resolution 88.2kHz/24bit transfers from the original analog master tapes. Colin”s impressive mastering credits include albums and singles by Alessia Cara, Justin Bieber, Bruno Mars, Beyoncé, Jay-Z, Icona Pop, Mastodon, Indigo Girls, Gucci Mane, Lil Baby, Cardi B, and dozens more hitmakers.

Visions’ flip side, Trying to Live a Life, was remastered for its 50th anniversary by Sonobeat Historical Archives’ in-house team.

In April 2023, Sonobeat Historical Archives embarked on an experiment with partner Wonderfulsounds in the U.K., authorizing a limited edition vinyl press-run of Lavender Hill Express’ Silly Rhymes, available only to members of Wondefulsounds’ Singles Club. Wonderfulsounds’ 7" reissue spotlighted for a brand new audience of discerning audiophiles Rusty Wier’s acoustic ballad, originally released by Sonobeat in 1968 as the “B” side of Outside My Window.


And their stories go on...

Lavender Hill Express is considered Sonobeat’s first super group, and all of the band’s singles were big hits by Sonobeat standards. It’s no wonder. The band was composed of some of Austin’s most talented and formidable rock musicians: Layton DePenning and Leonard Arnold had been founding members of the Baby Cakes. Rusty Wier and Jess Yaryan were founding members of The Wig, perhaps Austin’s hottest band in the mid-’60s. Johnny Schwertner had been in The Reasons Why, a popular Central Texas band based in Temple, 75 miles north of Austin.

Just before the band recorded its third Sonobeat single, Johnny left Lavender Hill Express to co-found Plymouth Rock that recorded a single with Sonobeat in 1969. Gary P. Nunn, who joined Lavender Hill Express as Johnny Schwertner’s replacement on keyboards in time for the Outside My Window and Trouble sessions, later became a significant figure in Austin’s cosmic country movement as a founding member of Jerry Jeff Walker’s Lost Gonzo Band. From 1977 to 2004, Gary’s song London Homesick Blues was the opening theme for Austin City Limits, at 50 seasons the longest running music series in U.S. television history. Gary was inducted into the Austin Music Awards Hall of Fame in 2001. Post-Lavender Hill Express, Jess Yaryan switched from music to management, taking the reigns at Austin’s Saxon Pub, and ex-Plymouth Rock guitarist John Inmon joined Rusty and Layton to form the trio Rusty, Layton & John. Rusty, Immediately followilng Lavender Hill Express, Layton and Gary co-founded Genesee. Later Layton, John, and Leonard Arnold went on to become influential musicians in Austin’s progressive country movement in the mid-’70s. Rusty enjoyed a successful solo career based in Austin, with many albums to his credit and a hit tune of his own, Don’t It Make You Want to Dance (Bonnie Raitt’s 1980 cover, featured in the Urban Cowboy motion picture soundtrack, hit #1 on the Billboard Top Country Albums chart). Inducted into the Austin Music Awards Hall of Fame in 2001, Rusty succumbed to cancer on October 9, 2009. Leonard Arnold co-founded Austin progressive rock band Phoenix, later performed in Austin country-rock band Blue Steel, and eventually moved to Nashville, where he performed with Vince Gill and dozens of other country greats. Leonard succumbed to cancer in September 2015. Layton DePenning returned to Sonobeat in 1971 as a founding member of Genesee and later did a stint with progressive country star B. W. Stevenson (of My Maria fame). Layton is a member of present day Austin country-rock band Denim and operates a recording studio just south of Austin in Buda, Texas.

A super group in every way, the collective talents of the band’s members as songwriters, singers, and musicians are self-evident in its Sonobeat legacy and in the remarkable musical careers each enjoyed in the years following.


Listen!
00:00
Lavender Hill Express
00:00

Thanks!

Our thanks to Lavender Hill Express co-founder Layton Depenning for providing photos of the band and to all members of the band for participating in our digital reissues of Lavender Hill Express’ Sonobeat singles.

Visions (album)

2014 digital reissues of the 1967 and 1968 singles plus previously unreleased bonus track
Restored and remastered from the original analog session master tapes

Visions (Single)

50th anniversary (2017) digital reissue of the 1967 single
Restored and remastered from the original analog session master tape

Trying to Live a Life

50th anniversary (2017) digital reissue of the 1967 single
Restored and remastered from the original analog session master tape

Watch Out!

50th anniversary (2018) digital reissue of the 1968 single
Restored and remastered from the original analog session master tape

The context menu is not permitted on this page.